Видео демонстрация футболки с принтом для сайта

Create an exactly 10-second, vertical 9:16 ultra-photorealistic streetwear commercial featuring the T-shirt shown in the attached reference image. Follow the chronological sequence and exact timing below. The entire video must look like live-action fashion footage, never like CGI or a 3D animation. REFERENCE INTERPRETATION — FRONT / BACK The single attached reference image contains two views of ONE T-shirt: The view labeled FRONT shows the front of the garment. The view labeled BACK shows the back of the garment. Use the labels to identify the sides, regardless of their position within the reference image. These are two views of the same product, not two different garments. FRONT and BACK are reference annotations only. Do not reproduce these labels on the T-shirt, in the environment, or as on-screen text. Do not reproduce the reference layout or create a split-screen composition. Apply each design exclusively to its correct side. Front artwork must remain on the front; back artwork must remain on the back. Never swap, mirror, merge, or duplicate the two designs. PRODUCT ACCURACY — STRICT Match both reference views precisely: garment colors, silhouette, fit, length, sleeve shape, neckline, fabric texture, seams, graphics, lettering, logos, and their placement, scale, and proportions. Preserve the relationship between each graphic and the neckline, shoulder seams, side seams, and hem. Graphics must remain anchored to the fabric during movement. If either side is plain, keep that side plain. Do not add branding or decorative details. Do not invent artwork on areas not shown. Preserve the original cut—do not automatically make the shirt oversized. Use only the garment from the reference, not any reference model, accessories, background, or layout. Maintain the exact same T-shirt throughout the video. CHARACTER AND OUTFIT CONTINUITY Maintain one identical glossy black, muscular, faceless male mannequin throughout. It must look like a real physical display mannequin with a black lacquer finish, not a digitally rendered human. Dress it in the exact reference T-shirt, wide graphite cargo pants, black-and-white sneakers, and a bright orange beanie. Preserve its anatomy, proportions, outfit, and accessory colors in every shot. OPENING — START IMMEDIATELY WITH THE DRESSED MANNEQUIN No product-selection introduction, first-person POV, black-gloved hands, alternative T-shirt, floating garment, swipe gesture, or shirt flying into the lens. No fade-in or blank opening frames. The mannequin is already wearing the reference T-shirt in the first frame. 0–3s — FRONT REVEAL IN THE WHITE STUDIO Begin with a sharp chest-level close-up of the FRONT of the reference T-shirt, already worn by the mannequin in a pure-white practical studio. Show the actual front design. If the front is plain, emphasize the neckline, stitching, and fabric texture instead. The camera immediately pulls back explosively to reveal the fully dressed mannequin facing the camera. It adjusts the shirt, strikes a powerful pose, and walks forward. Fast, speed-ramped detail shots reveal the front artwork or fabric, the sneakers, and the orange beanie. Keep graphic placement and garment proportions consistent. The camera dives to floor level and rises sharply. End with a walking match cut into minimalist concrete architecture, preserving movement direction and outfit continuity. 3–6s — CONCRETE SEQUENCE AND CLEAR BACK REVEAL Against real concrete walls and broad stairs, begin with a low-angle front three-quarter pose and a close-up of the mannequin briefly pulling the shirt hem. The mannequin releases the hem. A rapid 180° camera orbit moves from the front to the rear, revealing the exact BACK design from the reference. Settle into a clear, unobstructed rear view for approximately 0.5 seconds. Frame the full back of the T-shirt from shoulders to hem. Keep the back artwork in focus and identifiable, without motion blur obscuring it. The arms must not cover the design. Continue with a brief overhead shot and a powerful squat on the concrete steps. Fabric folds naturally; front and back graphics remain attached to their correct garment surfaces. Hard cut to a vivid orange practical studio backdrop as the mannequin stands and turns front three-quarter toward the camera. Preserve accurate shirt colors without an orange color cast. 6–8.5s — FULL ORBIT AND FASHION MONTAGE Perform a fast 360° camera orbit around the mannequin, showing a continuous, physically coherent transition from front to side to back and back to front. The front design must disappear naturally as the front turns away; the back design must become visible only as the rear comes into view. Never morph one design into the other or show graphics through the fabric. Follow with rapid fashion cuts: a macro of an existing garment detail, aggressive zoom-out, low sneaker tracking, and a powerful body rotation. Use only the actual front or back details from the reference. If both sides are plain, focus on fabric, neckline, seams, and silhouette. 8.5–10s — FINAL FRONT HERO SHOT Return to the concrete location. From 8.5–9s, the camera smoothly rises from below to frame the mannequin in a strong front three-quarter hero pose. One hand is in its pocket; the other finishes adjusting the shirt without covering its defining front details. From 9–10s, lock the camera and hold the mannequin completely still. Clearly display the FRONT of the T-shirt. No further adjustment, rotation, camera drift, or transition. STRICT PHOTOREALISM — NO CGI LOOK Every shot must resemble live-action footage of a real physical mannequin wearing real clothing, photographed with a professional cinema camera on practical sets. No CGI look, 3D-render aesthetic, game-engine visuals, cartoon styling, or synthetic-looking fabric. The glossy black mannequin must resemble photographed lacquer, with subtle surface imperfections, physically plausible reflections, and grounded contact shadows. Preserve its faceless display-mannequin appearance; do not add human skin or facial features. The T-shirt must look like real textile: natural weave where visible, realistic stitching, material thickness, gravity-driven folds, and believable contact with the mannequin. Printed details must follow the fabric surface and folds rather than float above it. No plastic-looking clothing, rubbery deformation, weightless hems, texture swimming, sliding prints, or artificially perfect surfaces. Use realistic exposure, optical depth of field, natural motion blur, and restrained sharpening. No artificial glow, excessive bloom, exaggerated HDR, or impossible reflections. Fast camera moves must retain the appearance of practical cinematography. LIGHTING, EDITING, AND AUDIO Premium live-action fashion-commercial aesthetic. Natural daylight and sharp, coherent shadows in the concrete scenes; controlled photographic lighting in the white and orange studios. Accurate garment colors throughout. Aggressive speed ramps and seamless match cuts, balanced with clearly readable front and back product views. Energetic bass-house soundtrack synchronized with movement and editing. Resolve the main musical accent into the final one-second static hold. EXCLUSIONS No FRONT or BACK reference labels in the generated scene. Preserve only lettering that is genuinely part of the garment artwork. No swapped sides, mirrored lettering, merged front and back designs, duplicated artwork, invented graphics, or changing print placement. No split screen, reference collage, additional characters, extra props, visible rigging, captions, watermarks, or interface elements. No outfit changes, extra limbs, malformed hands, body morphing, flickering textures, CGI look, or animated-render appearance. Exactly 10 seconds. Vertical 9:16. One mannequin. One consistent T-shirt. Show both the reference-accurate FRONT and BACK clearly. End on the FRONT hero view.